Additional option available to select and add your own fonts. You can fill plain color of your choice as well as gradient colors with customization like linear, texture, neon colors, radial colors.Ĭhoose from variety of fonts provided in app. Just so you know: you can apply different styles in single text, just select different parts of the text and apply the tool: supported in Format, Color, Stroke and Highlight tools!Īdd and edit unlimited text of your choice with multiple text editing features to create stylish text pics. Including correction, or other "categorical" divides the editor needs to make.Add and customize as much text objects as you want…Ĭreate 3d texts and overlay them on top of your images, or have them stand on their own in a cool poster.Ĭhoose from 100+, hand picked fonts. And its TEI Header can be adapted to account for different hands, stages of composition, and types of revision, But since they were printed, published, and circulated internationally, each in their own era, these variant transcribal variants have had an affect on readerships (including adaptors, who are themselves major artists),Īnd they are in effect a form of revision.Īt any rate, TextLab is an image mark-up and TEI transcription tool that can be adapted to any editorial project seeking to transcribe and collate text. In this case, the word "variant" is not (for me) as useful as "revision site." The three print versions of BB have many "variants," but in fact they are really different (some erroneous) readings of a working draft manuscript. Is that in order to understand Billy Budd as an evolving textual phenomenon, we have to comprehend it as a text in revision authorially and editorially, distinctly but together. That said, many MS readings, especially of erasures, remain "unclear." But what is evident to me Some of what the collations show is that the successive transcriptions seem to come closer to a more accurate reading of the difficult-to-read BB MS. Using a version of Juxta adapted to TextLab, we can collate these three transcriptions and compare them to our own MEL transcription of theīB MS. Times, for three subsequent generations, by different scholars, yielding three signficantly different reading texts. And yet, during the 20th century, the document was transcribed three Given my broader agenda, I feel it is all the more important to make sure that different kinds of versions (akuthorial, editorial,Īdaptational) are distinguished from each other.įor Billy Budd, we have a document in Melville's hand that was not published until 30 years after his death, and the document was never "finalized" by HM in a single fair copy for a printer. I also feel that adaptations are a form of revision that must be included in the editing of a fluid text.Īnd, of course, I realize that this view is not shared by most geneticists, who are interested exclusively in authorial change. Respond to your concern about any possible confusion of authorial revisions sites and scribal variants or corrections.įirst of all, my project is to edit the revision process as it is evident throughout all versions of a work, including authorial and editorial revisions. We plan to develop the tool further so that it will also be able to generate what you call in your response to Gabriel a "classical" edition, and I hope to get funding for that in the coming year.
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